The thing nobody tells you about a print is that it changes with the light, and you won't know what you've actually got until you've lived with it through a few different afternoons. A print that looks sharp and a bit cold under the gray of a January morning can turn warm and soft by four in the afternoon when the sun comes in low. I've got one framed in the hallway that I nearly returned the first week because it looked flat under the hall light, and now it's the first thing I notice walking past on a late afternoon in autumn. Shops photograph these things under perfect, even light. Your house doesn't have that, and the print needs to earn its place in the actual light you've got, not the light in the listing photo.
Prints suit almost any room, which is part of the trouble, because that means you can talk yourself into hanging one anywhere without really thinking about scale, and that's where most people go wrong. A small print on a big wall just looks lost, like a stamp on an envelope. Measure the wall space you've actually got before you buy, not the space you imagine, and lean toward bigger than feels comfortable rather than smaller, because a too small print is the single most common mistake I see. Stairwells, entryways, and bedrooms with a bit of wall above the headboard all take well to them, and a north facing room that feels a little flat benefits from something with more color or contrast, where a sunny south facing room can handle something quieter and more faded looking. If you're starting from nothing, go for one piece in a plain frame rather than a cheap set of three, since a single good print you actually love will do more for a room than a trio you picked to fill space. Older, worn looking prints with a bit of history to them tend to sit more comfortably in a lived in home than anything too crisp and new, and they age well on a wall the way a good quilt ages on a bed.
Where prints fall short is in rooms that already have a lot going on, a busy wallpaper, a gallery of family photos, a room full of pattern, where another image just adds noise rather than warmth. They're also not the answer if what a wall actually needs is color or texture rather than a picture, no print fixes a wall that's the wrong shade to begin with.
I'd put a plain wood frame around it and a low lamp nearby, so it's still visible after the sun goes down and the room goes quiet.