Someone on the team admitted last week, completely unprompted, that they spent four years buying vases for the flowers they thought they’d have rather than the flowers they actually bring home, which is to say a narrow neck built for tulips when the reality is a fistful of garage forecourt carnations twice a month if we’re lucky. That’s the whole confession. Nobody argued with it because it’s true of at least three of us.

The ceramic vase gets treated like the wooden spoon of the decor drawer. Fine. Useful. Not worth a paragraph.

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We think that’s wrong and we’re prepared to be tedious about it. A good ceramic vase does more actual daily work than most of the objects we’ve written entire posts about, it just does it quietly, sitting there empty for three weeks looking completely fine about it, which a glass one can’t manage without turning into a dust magnet you’re ashamed of.

Where the arguments actually start is styling, because half the joy of the thing is that it looks different depending on where it lands. On a kitchen table it’s doing a job, holding whatever’s cheap that week. Move the exact same vase to a windowsill and suddenly it’s doing atmosphere, empty, just sitting in the light being a shape. One of us thinks that’s the whole point of ceramic over anything else, it survives being both things without looking confused about which one it is.

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Another thinks putting it on a windowsill empty is a bit precious and would rather see it earning its keep on a table getting knocked slightly off center by elbows. Nobody’s backing down on this one.

There’s a texture argument too, and it runs deeper than finish. Matte versus glossy divides the room properly, matte camp says it hides water marks and general life, gloss camp says a bit of shine is the only reason to buy ceramic over anything cheaper. Both sides have won at different points depending on whose kitchen we’re standing in.

Living with one, the actual daily bit, is mostly good and occasionally stupid. They chip if you’re careless setting them down, we’ve got one with a nick along the base from a house move that nobody wants to own up to causing, and it still gets used weekly, which says more about ceramic’s tolerance for abuse than any of us deserve credit for. It holds water without smelling weird after four days, unlike a jug one of us kept insisting was “basically the same thing,” which it was not.

Underrated is the right word for it. It doesn’t ask for attention, doesn’t photograph as hard as it should, and somehow still ends up the thing every room looks slightly wrong without. We’d argue that’s worth more than most things that do try hard for it.


Author Carl

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